#(hyperfixation yap)
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mephojixx · 6 months ago
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hi guys here is your DAILY REMINDER!!!! that the only people mephone4 has ever felt love or kindness from except for MePad were not real!!! And now MePad hates him!!! And he doesnt know about social context and struggles saying "sorry" so when he tried to explain himself he just made everyone hate him more!!! And then before he could even do anything about it they all died or just vanished out of existence in front of his eyes!!! And Cobs is saying "i forgive you" and MePhone4 now feels that he's done something bad!!! Now hes being told or implied that running away and saving himself was the wrong thing to do!!! Cobs speaks the sweetest words but only the letters that are built have anything kind, theres nothing genuine there!!! Its just so that if MePhone4 tries to tell anyone, he cant.
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kainkoon · 10 months ago
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Inside of you there are two wolves:
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yes-no-maybe-soo · 2 months ago
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After reading Elysium, this part legit makes me want to cry.
B/c these are obviously not casual remarks on Sylus' end.
We now know for a fact that Sylus has waited and yearned for MC for years prior to the main story, and was carefully planning out his reunion with her. And — at least in my own current headcanon — he built up and established his stronghold in the N109 Zone with the eventual aim of ruling it together with MC, side by side. Two flowers in the same soil once more.
So this must have hurt. And I also do believe that a part of him worries over the fact that MC perceives him and Onychinus as the bad guys on the "dark side", and how this might impact their relationship long term. After all, he is a criminal, whilst she is essentially a cop.
But, to end on an uplifting note, that is why this line
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is so so meaningful and impactful. It is MC indirectly assuring Sylus that she does not care that he is on the "dark side". She wants all of him, including the "thorns". She can handle the the hardship and the danger that his lifestyle brings. Because she loves him wholeheartedly, without reservation.
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harmonysanreads · 2 months ago
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Imagine getting kidnapped by Yandere!Anaxa and having all these dreadful ideas about him ; only to get spoonfed on Dromas themed plates and mugs, hair brushed with a Dromas themed comb, being dressed in matching Dromas themed onesies and getting put to sleep on a bed full of Dromas plushies with a cute Dromas printed blanket wrapped around you. The whiplash.
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aetherarson · 3 months ago
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Jorking it
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mini headcanon that he still does it even if they live together in that one ending somehow cause why not
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primspace · 4 months ago
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Before the next update potentially messes up my headcanons, here’s my fankid for Shadow milk cookie.
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I don’t have much about her story thought out. All I got so far is that the witches took her away when Shmilk and the others were imprisoned. She got put in a time bubble until she was found by the sugar gnomes and raised in the abandoned Cookie Kingdom. Blueberry Ice Cream has no memories of her father or where she came from originally.
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I want her to be more like how Shadow Milk was before he became corrupted. Which, in my mind, is a total book worm and story buff. She enjoys the stories the Sugar Gnomes told her growing up, and has basically appointed herself as the kingdom’s scribe. Whenever the gang comes back from their adventures, Blueberry Ice Cream writes down the information they give her.
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She doesn’t REALLY get involved until the journey to Beast Yeast.
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Thank you for coming to my Ted Talk
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sunny-knight · 16 hours ago
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THIS IS HOME
@forgettable-au Fan-Animatic ⭐️
The stars welcome him with open arms…
Work and Progress + Analysis below!
You can find the work in progress things here! because I wanna show the sketch animatic and you can only upload one video…
The entire idea was inspired off of THIS lovely little qna written a bit ago! havnt forgotten about it since! Despite what the AU might have you believe And recently I decided I could just draw out the fun part instead of go through the pain of storyboarding and cleaning up a nearly 4 minute long song 👍👍👍
Thats the idea though, theres no real plot, so no real context I can give other than the things the comic itself already provides. “This Is Home” just works incredibly well for this poor childs trauma, and it was a great opportunity to practice my composition and storytelling!!
Onto the deep analysis of every frame individually!!! (this is normal. this happens every time.)
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The idea that Wingdings just eventually- gave up. Trying to connect with anyone. HURTS ME DEEPLY. I’m not sure if thats specifically because he just couldn’t get the font thing down, but I imagine that was a big contributing factor. But thats what specifically stops him here. He eventually slams his keys down on the board and says “IM DONE” and throws himself into a thing he can purely enjoy on his own- science. Even at a young age, I feel he only had 2 lives. One with Sans, and one with science. Then when those worlds combined when he became the royal scientist uhhh- I imagine it got worse.
Speaking of his young age, In these shots he’s also notably a tad older than the later depictions of his younger self with the scarf. Less full of joy and whimsy
“His mind is in a different place” is taken a tad more negatively than in the context of the song I feel, as he’s more or less isolated himself from everyone (but Sans) now in this “giving up” phase of his childhood. I wonder how Sans noticed/took that and if he tried to convince him otherwise, but in this case he just thinks he needs some time to himself.
Also let it be known that the words being crammed in at the “Give him a little bit of space” bit is on PURPOSE and a SILLY LITTLE JOKE/VISUAL GAG GIVEN THE LINE. I AM SO FUNNY.
The colors are also notably dark blues, that get greyer when Wingdings has given up. The light that Sans lets in ((looks into the camera, tearing up)) is still pretty cold despite it being brighter.
The berating is also in uppercase to show most of this is from Wingdings’ pov- I know he speaks in proper casing at this time, but I NEED SOME SORT OF INDICATOR, WORK WITH ME HERE. His main issue was his own self consciousness and desire to communicate properly, since it was said before on the blog that no one really picked on him for his inability to talk to them.
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Then we have Papyrus!! The colors are similarly blue, but a lot brighter and a touch purpler and greener. Its from the same world, but not the same person. Also he’s wearing a yellow vest which is the complimentary color to blue ☝️
Papyrus is more heavily associated with warm colors in contrast to Wingdings, but this takes place very early on when he was very confused where his place was (or at least I assume thats what happened). He’s associating with warm colors (yellow) but is somewhat weary about it and still subconsciously clutching onto the comfort in familiarity.
The scene ofc depicts Papyrus being incredibly uncomfortable about any photos of himself as a child. It still definitely…looooks… like him. it just feels really wrong.
Similar thing to last time with the fonts as well, uppercase, Papyrus’ pov, he just wants to know who/WHAT he is.
I enjoy the colors in the photo and how they reallly stand out from the rest of the shot, just another emphasis that the photo feels otherworldly to Papyrus.
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This is the part where I start weeping pitifully. The tiny Wingdings to Gaster comparison- it’s just so upsetting, I want to know what this poor child would think if he saw what he ends up as 😭
Wingdings enjoyed dreaming about the real stars he MIGHT get to see one day with Sans. The scene is dark, as it still hasnt happened yet, but still bright and hopeful as he stares up at the light! Its always a possibility. But then we have Gaster, who finally did it. He reached the stars, he gets to look up and say “wow…. I really did it”. Staring up at the void before him. Without Sans…I feel he wouldn’t ponder on it much, and consciously he doesn’t see anything bad about his circumstances, but the crack going down his eye that elludes to a tear says otherwise in the suppressed emotions.
The world Wingdings lived in when he was small, seemed so endless…Despite the underground being small compared to the real world, his imagination was endless. He could dream, he could imagine, and create things, get and give new ideas! But now as an adult that just so happens to be a lovecraftian entity, everything is much more simple and straightforward. At least from his perspective…Gaster may be able to DO way more than he ever could as a small child, but his mind is pretty one track at this point.
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I wonder how Gaster feels…Now that they’ve gotten to the surface. without him
Im not sure how Papyrus in the game or even in the comic feels about stars, but Sans for one doesnt have to daydream anymore. They’ve also “done it” just like Gaster, but the hug insinuates less of that and more a “we WON”. They share in this moment together more emotionally than anything.
Again, compared to Gaster and them, they enjoy the moment in their own ways- Gaster just the action of seeing the stars, and Papyrus in what the moment itself means. I feel those are the 2 wants Wingdings had and thats a lot of what Papyrus and Gaster are. 2 halfs of Wingdings’…whole…thing
Also the stars welcoming him with open arms is both in reference to Sans but also Papyrus welcoming/accepting/loving himself…
IN CONCLUSION:
…yknow ive never asked before, but if anyone has any questions or needs clarification im happy to-
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sunny-sourzii · 8 days ago
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Okay I might have gone a little overboard. This is what hyperfixations do to a man
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demonslayerunhinged · 10 months ago
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I've always wondered why Sanemi made this statement. He could've said 'Why are you here?', 'What are you doing here?' and so on but he chooses to use the word 'spying'. It almost seems like Tanjiro (bestest boy ❤) walked in on something he wasn't supposed to see.
Unhinged theory: This wasn't just a normal spar or hashira training moment, this was a private conversation between Sanemi and Giyuu.
Let me explain:
We all know that Sanemi hates Giyuu's 'I'm not like you guys attitude' and it's also funny how he's the only one who addresses this and tries to get an explanation out of him. It's a way to show that he cares but his aggressive nature makes it seem commanding and angry.
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So he goes (by his own volition, mind you!) to Giyuu's crib to talk to him. but how do the two emotionally-stunted men talk to each other? By fighting of course!
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Even the fight itself seems more like a dance or a conversation rather than actual training, there's also the background music that mixes the themes of both guys.
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This all culmulates to the final move which has Sanemi trying to break through and talk to Giyuu and Giyuu bless his heart unintentionally keeping up his barriers.
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Another point that shows how it's more than a friendly hashira training session is the fact that Sanemi suggests that they brawl it out. There's nothing that will come out of this training-wise and it seems like it's just an excuse to get some kind of reaction out of Giyuu.
Then Tanjiro (bestest boy ❤) interrupts their conversation so Sanemi gets pissed. He even rants about it hours later!
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Look at his dude, like why so angry my guy? 😂
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It got me thinking, what would have happened if Tanjiro (bestest boy ❤) hadn't interrupted?
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tunamayojazz · 1 month ago
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mithruns of the week...eat well beautiful
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fushitoru · 3 months ago
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CAN ALL MY GREEK MYTHOLGY / EPIC THE MUSICAL ENTHUSIAST BADDIES MAKE SOME NOISEEEEE 🗣️🗣️🔥🔥
His expression shifted, something proud yet teasing gleaming in those striking blue eyes.
"Gojo Satoru," he declared, as if it should mean something to you. "Of Ithaca."
You hummed, as if considering. "Never heard of it."
He blinked, then scoffed. "Never heard of Ithaca?" He placed a hand over his chest in mock offense. "A land of brilliant minds, fierce warriors, and some say the most handsome men to ever walk the earth—"
"Ah," you interjected, dry. "That explains it."
He smirked. "Explains what?"
"Why I’ve never heard of it."
A beat of silence. Then, to your dismay, he laughed—fully, unabashedly, as if you’d just handed him the greatest gift in the world.
You huffed, returning your attention to your weaving. "Now that you have a name to be proud of, surely you can be on your way."
"Not yet," he said, far too easily.
You didn’t look up. "Why?"
"Because you haven’t given me yours."
You didn’t miss the way his voice dipped, taking on something smoother, something more coaxing. He was trying to charm it out of you, as if your name was a prize worth winning.
"Perhaps I simply don’t wish to give it," you mused, feigning disinterest.
"Perhaps you’re afraid," he countered.
You did look up at that, leveling him with an unimpressed stare. "Afraid?"
He shrugged, utterly unbothered. "That if I know your name, I’ll never forget it." His gaze flickered to your hands, to the weaving that had slowed ever so slightly. "And maybe… neither will you."
You forced yourself to resume your work, your fingers steady despite the odd flutter in your chest. "You think too highly of yourself, Gojo Satoru of Ithaca."
"I’m told it’s my greatest flaw," he admitted, smirking. "Well—one of many."
You ignored him, the rhythmic motion of your weaving serving as a convenient distraction.
Gojo exhaled, as if relenting—though something told you he was nowhere near finished with you. He rocked back on his heels, eyeing you with unconcealed interest. "Alright, mystery woman," he drawled. "If you won’t give me your name, I suppose I’ll have to keep guessing."
You didn't dignify that with a response.
But somehow, you knew—this would not be the last time Gojo Satoru of Ithaca sought you out.
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mephojixx · 6 months ago
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wow more on my game over au. anyways in the au i decided to give mephone4 a lot of physical injuries and situational issues so i can delve more into his character. in the original show MePhone4 desperately needs other people for his horrendous mental state but pushes everyone away and chooses not to get help due to him being afraid of showing vulnerability, but in this au he doesn't even have the choice to NOT very dependant on other people, seeing as hes lost 98% of his memory, doesn't know anyone or his surroundings and just generally.doesnt know, is half blind, cant stand or walk by himself due to his leg injury etc he relies on other people a lot more than he would in the og universe. and this reliance makes him feel like a burden and insecure which just makes him need them more. so yeah after that yap paragraph heres the actual art its oj helping mephone walk
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xxroex · 3 months ago
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Dude. I'm part way through season 6 of Once Upon a Time, and Episode 15 has me going FERAL. I CANNOT GET THIS SCENE OUT OF MY HEAD.
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This scene at Aesop's Tables. The pure and tender compassion in Regina's tone when she's asking Emma what she needs, forgive me if the quotes are completely accurate, "Do you need to throw things? Or.. cry your eyes out?" The way that Regina asks Emma what she needs. She's patient and careful with her already delicate feelings, knowing that pressing for a reaction could cause Emma to close off completely. She's aware that, with Emma, it takes time for her to bring her guard down, even with those she's close to and trusts the most. She knows that, Emma being in such a vulnerable position, she needs to give her the patience and let her take the reigns in the interaction. She gently asks what she needs, gently asks her to open up to her and talk to her, and shows that, should she choose to do the latter, she's here to listen.
And Gods, can we talk about how softly she says that? "Or.. cry your eyes out?" Regina is aware of how fragile Emma's state is, and so she treats her with that same care and consideration, knowing how badly she needs it, even if she won't admit it verbally. And it's soft in a way that almost suggests that the prospect of Emma "crying her eyes out" is painful to Regina, that the thought of her being in such a bad place emotionally is too much for her to bear.
Also, let's not overlook this little parallel, either. Back in season 4 episode 12, 'Heroes and Villains', riiiight at the end of the episode. Regina is sat at the counter in Granny's, having just sent Robin, Marian and Roland across the town line, and miserable. Emma approaches her, and, after denying Regina's assumption that she's there to give her a hope speech, replies, "Besides, you don't need a hope speech, you need a drinking buddy. Shots?"
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Emma's comfort to Regina isn't to try and give her hope and tell her it will all be okay, because she knows her. She knows that Regina won't listen to that. So instead, she offers to give her company and do shots with her. And goes on to make her feel better by telling her that Rumple was miserable too, yet another thing that Emma knows will elicit a response from Regina.
The interaction at Aesop's Tables just goes to show how much the brief interaction at Granny's actually meant to Regina, despite the fact that they never actually get to take the shots due to Henry's interruption. It remains in her mind, and when the moment presents itself that she can return the favour, she does by taking her out for a girls' night to Aesop's. And while both had their own unique ways of comforting the other, that just proves my point. They know each other, they know what works for the other and what doesn't. It's not a "one shoe fits all" approach, they know what they're doing going into these interactions.
I actually can't, they're so adorable my heart is melting 😭🫶
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empiireans · 3 months ago
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for almost every hyperfixation, i gotta have a fanchild so here they are yay yippee ! (more stuffs below)
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they make me sick /aff
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novasorbit · 2 months ago
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"if takashi shirogane can survive that insane character arc i can survive this" i say under my breath as i white knuckle the bathroom sink
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damnedbeans · 4 months ago
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if Sangwoo actually won the 33rd game instead of Gihun, I don't think that it would be in his character to go against the game creators, because unlike Gihun, he lost hope in humanity and existence long before he even decided to participate. he would have kept on living his normal life, pretending that nothing ever happened, or at least trying to, considering that he WOULD have had to kill Gihun in terms of winning.
still, if he somehow rejoined the games, and if somehow Inho yet again decided to play his role of Youngil, I can't even begin to imagine what kind of mind games they would've had going on. Since in canon Inho tried to act like Sangwoo for Gihun on purpose to manipulate him, it would make sense for him to be the opposite for Sangwoo, maybe trying to guilt trip him so he would slowly begin to lose it.
I also think that Sangwoo would see through it, through the mask of Youngil, at least a little. he's way less confiding than Gihun, more intelligent and harder to manipulate, but again, there's that trauma and a personification of the reminder of him having to kill Gihun, so that would sure throw him off. Sangwoo and Inho's dynamic had so much potential.
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